The war between Tina Cipollari and Gemma Galgani will never end. The columnist wanted to warn the new knight about his fateful fate.
In the episode aired yesterday – 10 December – Gemma Galgani has finally returned to the studio. It was a couple of episodes in fact that the lady did not honor the public with her presence. The cause of his absence was related to having contracted the virus against which we have been fighting for the past two years. Tina Cipollari obviously could not fail to welcome the Turin lady with the usual insults, but this time Gemma’s new suitor, the knight, also ended up in his sights Leonardo.
The new entry had visited the lady during her convalescence, bringing her a bouquet of roses (delivered at a later time) and greeting her from the balcony, just to avoid any contagion. The scene would have been the envy of Romeo and Juliet and, from Gemma’s reaction to meeting Leonardo, the lady seems already in love. That’s why Tina wanted to warn the knight about his impending doom (or impending end… it depends on your point of view).
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Tina warns Leonardo – The shocking words
As it often happens, Gemma Galgani is already in love. In fact, sweet words and a bouquet of roses were enough to make the star dame capitulate Men and women and that’s why Tina wanted to warn Leonardo about his impending doom. After all, you know, the first weeks with Gemma are always idyllic, after which the complaints and problems arrive and, in the end, she turns out to be the sacrificial victim and the knight of the moment the executioner (do you remember Costabile? Same end…). Tina relied on this constant modus operandi of the checkers.
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“I hope for you Leonardo that you are not playing, because in a week you will be massacred” – Tina was keen to underline – “A catastrophe will happen, weigh words well and really you have to be careful with her”. Gemma’s crazy love also scandalized Gianni Sperti, who pointed out that the lady – as usual – is throwing herself headlong trusting a complete stranger. So how will this story end? Will Leonardo end up like Constabile (and all the others)? We’ll see.
